25,975 Royalty-Free Audio Tracks for "Midi Files Of Rhythms And Percussion Music"

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Ninth augmented fifth chord on C.

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

Synthesized midi rendering of first Kyrie movement of Missa prolationum by en:Johannes Ockeghem. Created with Lilypond. See File:Ockeghem Prolationum Kyrie full.pdf for score.

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

Chopin Waltz in D flat, Op. 64, No. 1

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Das amerikanische Volkslied She'll Be Coming 'Round the Mountain als MIDI-Datei. The American folk song She'll Be Coming 'Round the Mountain as a MIDI file.

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

Hugo de Lantins: Jo sum tuo servo.

Jacob Senleches: Ballade Fuions de ci.

Pierre Solage: rondeau Fumeux fume par fumee.

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

The inverted version of the jazz ride pattern, which was created before the generally used one.

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

*Octave equivalent second Feigenbaum constant on C. α/2 = 2.50291 : 2 = 388.33 cents. MIDI pitch bend: 33,60

*Octave equivalent first Feigenbaum constant on C = δ. δ/4 = 4.66920 = 267.81 cents. MIDI pitch bend: 89,53

*Second Feigenbaum constant on C. α/1 = 2.50291 = 1588.33 cents. MIDI pitch bend: 33,60

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

Freut euch des Lebens

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

8-16A octachord on C

7-5A heptachord on C

10-6 decachord on C

4-5A tetrachord on C

5-7A pentachord on C

7-2B heptachord on C. Inverted version of 7-2A.

6-21A hexachord on C

4-25 (French sixth) tetrachord on C

5-36ZB pentachord on C

7-35 (diatonic) heptachord on C

10-4 decachord on C

8-26 octachord on C